For 'Shelley’s on Zenn-La,' Oliver Coates designs a complex of bending truths and reverse walkways to vernal states. Open ears can peer down hidden aux channel corridors, while melodic patterns present two-way mirrors to rooms of other retinal colors. An endless euphoria is just beneath the dance floorboards of 'Shelley’s,' and an inquisitiveness unencumbered by the institution of knowledge surrounding its frame and inhabitants.
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Keszler gingerly pulls you into a gorgeous, unsettling, totally immersive soundworld across Stadium's 12 tracks. His frenetic and awe-inspiring percussive chatter builds a beautiful, meditative haze that confounds and delights. monokhrome