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Aftersun (Original Motion Picture Soundtrack)

by Oliver Coates

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Record/Vinyl + Digital Album

    This is the retail variant pressed on cream vinyl

    The record comes housed in a deluxe spined sleeve with double sided printed insert and download card.

    Includes unlimited streaming of Aftersun (Original Motion Picture Soundtrack) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 98 days
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    Purchasable with gift card

      £22.99 GBP or more 

     

  • Compact Disc (CD) + Digital Album

    Digipack CD

    Includes unlimited streaming of Aftersun (Original Motion Picture Soundtrack) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 98 days
    Purchasable with gift card

      £11.99 GBP or more 

     

  • Cassette + Digital Album

    Sea blue cassette shell

    Includes unlimited streaming of Aftersun (Original Motion Picture Soundtrack) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    4 remaining
    Purchasable with gift card

      £10.99 GBP or more 

     

1.
2.
One Without 04:02
3.
Bus 02:03
4.
DVCAM 01:26
5.
6.
Boat 01:35
7.
Ocean>Rave 02:13
8.
9.
Tai Chi 02:59
10.
11.
Night 04:27
12.
Limit 04:03
13.
14.

about

(Cellist, composer and electronic music producer, Oliver Coates’ score for Aftersun, directed by Charlotte Wells and starring Paul Mescal and Frankie Corio, is out now via Invada / Lakeshore.

The score, lighter and more delicate than Oliver Coates’ previously released music, functions as shadows or half-glimpses, a glowing form of ambient music which adds emotional colour to the cinematography.

Aftersun features ‘One Without’, the much talked about piece of music used in the final scene and credits – the one that audiences have been known to sit in silence through the credits for. ‘One Without’ was made away from the film after the composer’s first meeting with Charlotte Wells, the director. On it, the strings are reversed and sped up a little, Each harmony has the next chord bleeding into it because of the reversed tails. The string vibrato is slightly unreal because the playback is faster and Coates explains that the “whole score is derived from the music within this final piece.”

The film is a poetic meditation and gradual emotional arc towards the presence of absence, of another story not revealed. It is the light of the camera work, the physical gait of the actors and the music which come together in a climatic resolution.

Coates’ score stands for memory within the film, a growing awareness that the film might be a memory trawl to try and make sense of trauma. The score makes the film feel like it is starting to become self-aware, like a film within a film.

Over time the score develops and helps the viewer move beyond the naturalistic and the diegetic. It is made of simple elements, old synths, reversed and slowed down strings. These, the composer explains “gradually reveal the sluggishness in Calum’s (Paul Mescal) demeanour, suggesting something hanging over him.”

credits

released January 13, 2023

Composed, produced and engineered by Oliver Coates
Musical sound design: Johan Nilsson
Score Mixer: Chris Elms
Mastered by Amir Shoat

license

all rights reserved

tags

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